The ideal situation would of course have been to buy a weekend pass and spend the whole weekend in Basel, but unfortunately that's more than I can afford. For me it was the budget version or nothing, so I chose the budget version, even though I knew it would be tough work.
To my great joy, I found that my favourite Swedish artist, Mamma Andersson, was represented by at least two different galleries, neither of them Swedish (if I'm not wrong, one of them was from New York). Unfortunately, I didn't have time to take in the names of many new artists, and with the quality being so high, I found it difficult to register any outstanding pieces in my memory. I saw some unusually sensitive and beautiful drawings by Andy Warhol though; I had not previously discovered that side of his artistic career. Generally, there were a lot of valuable art - old works by not only Warhol, but also Basquiat, Roy Lichtenstein, Picabia, Picasso etc. A lot of old masters in other words. I was also told by one of my students that a bank colleague of his had said that this year's Art Basel was "more interesting" than last year's, since there were more valuable pieces by old modernists and less contemporary art... I suppose this reflects rather well the function that this art fair has for some people - an opportunity to make a safe investment. And with the crisis having brought down the prices of artworks, this is of course an ideal situation to buy a valuable work of art. I suppose his idea of what makes art "interesting" differs slightly from mine... It's quite an interesting phenomenon though, that the financial crisis has had this general effect on this year's art fair; it's shifted slightly from interesting contemporary to valuable modern art. It's sad, but a natural reaction when you live in a capitalist society. Also gallery owners want to make money.
I had an art related incident at one point, which quite well illustrates the problems one can run into in an arty context... Running around an art fair makes you thirsty, and since my water bottle was empty, I searched for an opportunity to refill it. To my relief I found a water container in one of the cubicles, one of those with a white and a blue tap that you press on to get the water out. I had opened my bottle and was just about to press the tab when I heard the gallery owner shout behind me "Mademoiselle! No, it's vodka!" She then politely said that I was welcome to help myself to some if I wanted, but she thought I should be aware... Well, that's art for you; you can never really trust that what you think you see is really what it represents...




