I'm involved with the very difficult task of trying to arrange an art exhibition to raise money for an organisation that works actively to try and stop the huge problem that Female Genital Mutilation (FGM) is in Africa.
This is difficult not only because it's hard to find companies that want to support our initiative financially (FGM has got the word GENITAL in it, which does apparently not appeal to most Swiss companies. Starvation is for example a much nicer problem.), but it's also proved to be hard to find good artists that want to participate in the exhibition.
In a fantasy world, all artists would jump at the opportunity to use their art in a way that might actually be useful for someone else, like in this case helping to prevent the life long pain and suffering of circumcised African women . But that's in a fantasy world. In reality, most artists care more about their own name and that their art gets appropriate lighting and space. Yeack. I hurl just at the thought of the art school graduate who turned down our offer to let him participate in our exhibition because 'the space wasn't big enough, the light might not do his art works justice', plus he was worried that the other artists would not be well known/good enough! Christ, he should have been honored that we even considered him!
I have myself both studied art history and gone to art school, and have frequently been presented with the impossible question 'what is art'. There are of course an infinite number of possible answers to that question, all of which are equally true/false. A related problem though, which I find less impossible to find an explanation to, is that of 'what constitutes a good artist?'. Of course, training, creativity, hard work and a natural artistic talent comes in to it. But for me, curiosity, openness, bravery and a will to explore is equally important. Boring art is never good. And artists who are too busy staring at their own belly buttons to care about what is going on around them will have difficulties producing art that is actually interesting enough to be worth looking at. Unless he/she turns out to be an artistic genius of course, but what are the odds of that?
A couple of days ago I went to the exhibition of a young artist I know, and since both me and my college who I'd brought to his exhibition found his art interesting, we told him about our project and informed him a bit about FGM. His immediate response was 'Ok that's enough, I don't want to hear any more about it, it's too horrible'.
At that moment it struck me that I had reacted in exactly the same way when I first saw a documentary about this at my friend Ellen's place. The intrusion of such terrible facts and pictures into my mind was too overwhelming, and most of all I just wanted the facts and the pictures to go away. But at the same time, I obviously knew that the facts wouldn't change justs because I chose to block it out.
That is what made me not look away as I watched a whole village perform a circumcision without anesthetics and with a dirty needle on a terrified little girl who had stopped screaming because of the overwhelming pain and horror. And it was because of that reaction of wanting to look away that I decided that I need to participate in this project, and that I need to do my very best to try and make others see it as well without looking away. It sometimes takes some painful realisations to make people react.

And I guess that it wasn't until my artist friend explicitly addressed his desire to ignore the problem that I realised just how fine the line between ignorance and trying to make a difference actually is. And that ignorance can actually be a result of caring so much that the problem becomes unbearable, and trying to forget about it becomes a necessity. And perhaps this phenomenon is even more dangerous than ignoring because you really don't give a shit, because it prevents people who could actually make a difference from doing so. And this is why it's so important to force these people to see what they don't want to see; because eventually they won't be able to stand it anymore, and will hopefully try and fight the problem instead of ignoring it.
Shortly after he had expressed his will to ignore the existence of FGM I asked this young artist if he'd be willing to participate in our 'artists united against FGM' exhibition. He replied "Well, it's such a difficult subject... so yes, I'd definitely be interested."
Links: http://www.artistsunited.org/Welcome.html
http://iac-ciaf.com/